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Monday, 25 Feb 2013
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By Kevin Barrett Poor Richard’s February 11, 2013Since the Islamic Revolution of 1979, the Islamic Republic of Iran has been ferociously attacked by the American motion picture industry. The attacks have grown more vehement in recent years.Iran’s response: Drop a “truth bomb” in retaliation. The multi-megaton truth bomb – the third Hollywoodism Conference at the Fajr Film Festival – brought together fifty authors, scholars, political figures and filmmakers to oppose and expose Hollywood’s war onIslam in general, and the Islamic Republic in particular. (Full disclosure: I was a participant in the conference, which ended Wednesday.) Former Senator Mike Gravel, a Democratic candidate for President in 2008, said Americans are being fed a distorted view of Iran. “Everything Iran has done has been entirely within its rights” (to develop peaceful nuclear energy) Gravel stated at the conference. Merlin Miller, another US presidential candidate who ran with the Third Position Party in 2012, added: “The nonexistent Iranian bomb is not the real issue.” America’s CIA and Iran’s Supreme Leader Ayatollah Khamenei agree on one very important thing: Iran is not developing nuclear weapons. Supreme Leader Khamenei has pronounced nuclear weapons haram (forbidden). Anyone who understands the role religious authority plays in Iran knows that no Iranian scientist would even think of contravening the Supreme Leader’s ruling. Most of the participants, including Miller, agreed with Mark Weber of the Institute for Historical Review (IHR) that Hollywood demonizes Iran for a fairly obvious reason: Hollywood, even more than the rest of the US media, is controlled by Zionists. Since Iran opposes Israeli apartheid, and supports the Palestinian resistance, Hollywood endlessly bashes Iran on behalf of Israel. Weber cited quotes and statistics revealing that Jewish power dominates Hollywood. According to Weber, the vast majority of Hollywood studio heads and top-level executives are Jewish and committed to Israel. Even at the lower-level but important creative positions, Weber argued, Jews are wildly over-represented. The result: Hollywood ceaselessly bashes Arabs, and churns out nonstop hate propaganda supporting Israel’s war on Islam and the Muslim world. Weber cited Jewish Hollywood columnist Joel Stein, who famously tried to sweeten the bitter pill of Jewish-Zionist power with a dash of humor: “How deeply Jewish is Hollywood? When the studio chiefs took out a full-page ad in the Los Angeles Times a few weeks ago to demand that the Screen Actors Guild settle its contract, the open letter was signed by: News Corp. President Peter Chernin (Jewish), Paramount Pictures Chairman Brad Grey (Jewish), Walt Disney Co. Chief Executive Robert Iger(Jewish), Sony Pictures Chairman Michael Lynton (surprise, Dutch Jew), Warner Bros. Chairman Barry Meyer (Jewish), CBS Corp. Chief Executive Leslie Moonves (so Jewish his great uncle was the first prime minister of Israel), MGM Chairman Harry Sloan (Jewish) and NBC Universal Chief Executive Jeff Zucker (mega-Jewish). If either of the Weinstein brothershad signed, this group would have not only the power to shut down all film production but to form a minyan with enough Fiji water on hand to fill a mikvah.” Stein concluded: “I don’t care if Americans think we’re running the news media, Hollywood, Wall Street or the government. I just care that we get to keep running them.” Stein’s column was a response to the Anti-Defamation League (ADL) press release celebrating a poll showing that only 22% of Americans know that Jews control Hollywood. In other words, the ADL was triumphantly celebrating the fact that 78% of Americans have been brainwashed into believing an outrageous, transparently false lie (“Jews don’t control Hollywood”). Talk about chutzpah. And speaking of chutzpah, Abe Foxman and the ADL predictably launched a counter-attack on the Tehran Hollywoodism conference. Oddly, the ADL singled out four participants:Senator Mike Gravel, Jim Fetzer, Merlin Miller, and yours truly as the leaders of what they termed “a rogues’ gallery of conspiracy theorists, anti-Semites, and anti-Zionists.” (Though I am honored to be attacked by the ADL three times in less than two years, I must point out that all four of us are anti-Zionists, not anti-Semites.) One of the conference’s most stimulating and controversial speakers was Dr. Michael Jones, a Catholic who wears his anti-Jewish credentials on his sleeve. Dr. Jones argued that the “Jewish revolutionary spirit” is the source of Hollywood’s attacks on traditional values, including the religious values of Islam. If the ADL feels the need to attack anti-Jewish thinkers, they should target Dr. Jones and give his sophisticated and disturbing work some much-deserved publicity. A key theme of this year’s Hollywoodism conference was 9/11 truth. European 9/11 authors Thierry Meyssan (France) and Roberto Quaglia (Italy) joined such Americans as filmmaker-politician Art Olivier, philosophy professor Jim Fetzer, 9/11 hero and eyewitness William Rodriguez, and yours truly. All conference participants, and every Iranian we met, expressed skepticism about the official version of 9/11 and/or belief that it was an inside job. Many participants observed that this conference could not have been held in any Western country, where it would have been harassed by the authorities, boycotted by the media, and (possibly) bombed by the officially-tolerated terrorist group the Jewish Defense League. Many though not all participants are holocaust revisionists, making them unemployable in the US and subject to arrest when they travel to many European countries. The entire conference – roughly fifty hours of high-quality videos of the presentations and interviews – will be archived at the website Hollywoodism.org. Posted by John Dunn. |
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Utterly under-reported in the western media, if at all, I only came across the Hollywoodism conference recently. Obviously, the Iranians had their own purposes for holding Hollywoodism early in February, and this article must be read with this fact in mind. On the other hand, more people in the west ought to be aware of the controlling forces behind what is, after all, by far the largest producer of films in the world. Film-goers might then at least view Hollywood film output critically, and not watch films like Lincoln as if they represented even an approximation to history. Kevin Barrett’s report is the best I can find on the conference, although there is an official website on Previous Item Next Item
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